Subtle – ExitingARM {Lex, 2008}

50058exitingarm.jpgEver since the first Themselves record came barreling onto my radar like a Soviet torpedo back in ’99, I have been in awe of Doseone and Jel’s creative look at what hip hop music is, and what it can be.

With the new record by the group Subtle, titled ExitingARM, they’ve finally put me on the floor. Subtle has always tiptoed the melodic, free association edge of hip hop and experimental music as a whole since their debut in 2002 with the Seasons EP’s (later to be put together as Earthsick).This time, they’ve made somethingfinally accessible to the rest of the musical world. The Subtle Six have created their “pop” record (much like cLOUDDEAD’s “pop album” ten) – and let me say, that it works VERY well.

The record begins with the title track, with melodies created by Doseone and Dax Pierson. They instantly grab you and bring you on their continued journey. For those uninitiated, the Subtle records are a story of the travels of a character named Hour Hero Yes. Hour Hero is an everyman of sorts, both an aspiring poet and emcee. This album, according to the always eccentric Doseone, is the final chapter of Hour Hero’s journey. Here, he’s battling the Ungodz and Dr. Moonorgun. The group is just like their name, subtle, so to truly understand the venture of Hour Hero, this record and its predecessors must be revisited again and again to get an idea of the larger story.

The next blatantly noticeable puzzle piece of ExitingARM is Jel’s bone-crushing MPC reaching out of your speakers and slamming your head down (on beat, of course) into whatever happens to be the nearest surface. The rest of the Six join in to create a magical world of beautifully crafted melody. The pace slows a bit on Day Dangerous to let the experience really sink in and the record starts to show just how melodic and perfectly accessible Subtle has become.

After building the pace back a bit on ‘The No’, Jel’s trademark “hand of slam” returns on ‘Sick Soft Perfection’ and along for the ride is a synth line that not even Devo themselves could have dreamed of. The record continues to traverse through an incredible melodic path throughout the middle tracks. The meat and potatoes of this experience are highlighted with slightly more subdued subwoofer-rattling grooves from Jel, Alexander Kort’s entrancing cello as well as doseone and Dax’s melodic, cryptic harmonies.

The album ends with a pair of mellower tracks, ‘Wanted Found’ and ‘Providence’. On both of these tracks Subtle’s past returns. They have a great feeling of some of the highest points of their more abrasive (but equally amazing) debut, A New White. Both tracks give me the chills like my first listens of ‘Red, White and Blonde’, ‘F.K.O. (Fuck Kelly Osbourne)’ and ‘She’. The structures of these two new tracks have a dark, cold feel that will give even the baddest, burliest dude you know the shivers.

In addition to the album, Doseone has created a companion web site to this album to aide in the listener’s journey with Hour Hero. The site at first glance looks like the clusterfuck of a bedroom that M.C. Escher and Ivan Albright’s mythical love child must have. As you venture through this site, you find that the “finger of opportunity” begins to show up and by clicking on a character or place of interest, doseone’s nasal voice will begin reading a poem aiding one’s understanding of Yes’s venture against the Ungodz and Dr.Moonorgun. I believe this is by far one of the strongest companions to a record in a long time. Especially with the heavy metaphor and strange associations of Doseone’s lyrics, the site can truly help a listener appreciate this compelling tale just as much as the music can.

9.8/10

Subtle – Exiting Arm (mp3)

Atmosphere – “When Life Gives You Lemons, You Paint that Shit Gold” (2008, Rhymesayers)

Atmosphere – “When Life Gives You Lemons, You Paint that Shit Gold”

Minneapolis’s Atmosphere has been a mainstay of underground hip hop since Overcast! showed up in ’97 – and later, with their major God Loves Ugly in 2002. Since the success of that major label release, Atmosphere has been on a roller coaster of cutting-edge lyricism and production, but also some major disappointments. The last 2 records, Seven’s Travels and You Can’t Imagine All the Fun We’re Having, just didn’t succeed in the same honest, self-aware form that the previous records thrived on. For Slug and Ant, 2008 is different. After their stunning free “full length” (and I use that loosely) Strictly Leakage the Minnesota duo have released their biggest step forward since the glory days of Slug howling, “Fuck you, Lucy!”

The duo’s new album, When Life Gives you Lemons… is a grimy piano and funk bathed ride through the bowels of drug abuse and womanizing (as well as some empathizing). Slug’s introspective lyrics work well backed with Ant’s new found love of old school funk and piano jams. Atmosphere seem to have regained their stride.
Where Strictly Leakage was a pavement cracking “fuck you, I rhyme better” look at the hip hop culture, “When Life Gives You Lemons…” brings Slug’s insecurities and apparent fascination into the drug culture to the forefront.

With a very mellow start, “Like the Rest of Us” and “Puppets” set the tone for the record. Beginning with Ant’s heavy piano backing, Slug beautifully weaves his way through the drug life making great use of every day occurrences playing into the human experience. The use of “she showed me outside as she gave me a cigarette” regarding a conversation with an expectant mother which makes me remember the gold ol’ days of Slug reminiscing about the woman with the tattooed hands back on Lucy Ford.

The record then takes a sharp, but welcome turn to the slightly more aggressive “Shoulda Know” marking the record’s halfway mark. Here Sluggo continues his exploration of drugs and Ant brings the heavily distorted bass line crunching along. The upward swing continues smoothly through the second half of the or the record peaking at “Can’t Break” with El-P-like space beats. Slug goes back to the tried-and-true stories of growing up while living in a perpetual fucked up state. He lays down his best crack at an over-serious drawn out line of “I fear/and I want/ but I can’t break away” but keeps the record moving at a solid pace. The record finally culminates with a pair of “updated” Lucy Ford-esque tracks. Both are solid tracks but nothing to write home about although our narrator’s storytelling still cannot falter even spending more time on his tried and true exploration of a kid growing into hip hop on “In Her Music Box”.

Now with all of the pros, unfortunately the record does have its shortcomings. Although I have always enjoyed Slug’s story-oriented emceeing, the subject matter has been visited before and probably will be visited again. It seems that some of his fascinations (drugs, women, and growing up) have yet to be fully explored. The continuation of his exploration of these matters seems to have lost some of it’s freshness, but still works in this thawed from the freezer adventure. On a more positive note, Ant’s production has never been better. I have been skeptical of Ant since the sub-par effort on Felt 2: A Tribute to Lisa Bonet, but his talents truly shine on this effort. The man whips his balls out for all to see on tracks like “Guarantees” and “Your Glass House” showing off his talents using a Buck 65 guitar strum and a bass heavy synth pad. Seeing the step from the box of his patented bass and the movement style is welcome and very successful.

Atmosphere has crafted a great addition to their legendary catalogue and even with a few stumbling points in Slug’s rhymes, the boys from the land of ice and snow have made one hell of a jump on 2008 and have resurrected Rhymesayers back into the upper echelon of the underground. 8.1/10

Atmosphere – Your Glass House(mp3)

-Joey Zittnan 5.5.08

Why? deserves success, but why’s it impossible for us to get over our fear of mainstream popularity?

alopecia_why.jpgDespite the growing yet trivial hipster backlash when it comes to the music scene, there are bands that are definitely worth seeing live and records that are worth buying at the record store. (I know, you haven’t been to one of those in a long time). But at the very least, there are bands that simply shouldn’t be dismissed just as quickly as their discovered just because music trends are so sudden nowadays. It seems as if albums and artists that are new and fresh to the underground scene especially to those of whom who religiously check music blogs, lose popularity among these indie music fanatics just as soon as more and more people start to listen to them. It’s a shame, though. Good bands are good bands, in my opinion.

I happened to get a hold of the newly released CD by the band Why? called Alopecia and instantly fell in love with the album in its entirety. The band is what’s considered a new age take on hip-pop and the trio happens to be from the Midwest. The lead singer practically raps on a lot of the tracks but also sings when the song lends itself to that. What’s most interesting about the band, in my personal opinion, seems to be the lyrical talent of the front-runner and maybe all of that repetitive percussion. To say the lyrics were obscure would plainly be an understatement. But honestly, his lyrics are authentic and raw and reason enough not to let “hipster backlash” get the best of this band.

Anyway, just as soon as Why? sparked my newest music obsession, I quickly learned that they were due to play The Abbey Pub in a week or so. My roommate, who had fallen in love with the CD just as I did, was eager to see them live as well. We ended up going and standing in the front row on the most left side of the stage at the Abbey Pub. Needless to say, they put on a fabulous show. They were energized, personable, and really stayed true to the sound of the songs on their CDs, especially their newest album Alopecia. I mean, not in the way that bands do when they bring nothing new to the table when you see them live either. Like when you could listen to their CD in your living room and it wouldn’t sound any different pounding through your sub woofer as it would if you were crammed into a loud venue with them strumming a few feet away. Those are the worst. But I was happily surprised, because seeing Why? live was practically the opposite. They were brought to life. The drums were loud and powerful because the drummer bounced and grimaced with every deafening slam of the cymbal. The lead singer sung honestly and the tone of his distinctive voice was totally spot on. I was definitely impressed by their performance.

I would simply suggest to all those indie music fanatics to see Why? live if given the opportunity. Although, in a larger sense it’s truly important to realize that regardless of whether or not Why? fails to appear on the music blog Hype Machine over the course of the next couple of weeks, it doesn’t make the band any less of a natural talent. So, I’ll be listening to them for months and months to come because guess what? Fast-moving music trends aren’t for real lovers of music.

Why? – The Vowels Pt. 2

What I’ve Been Spinning…3/23/08

Les Savy Fav – Let’s Stay Friends – When I first heard of this band, I thought they were some shitty French pop trio. The I saw them on Conan and their very overweight singer started taking his clothes off to a wicked jam. I was wrong on both accounts. They’re American, and a rock and roll band. At that point, I decided I probably should give this record a spin. Good stuff.

Drive-By Truckers – Brighter Than Creation’s Dark – The DBT’s are a band I’d heard a lot about but never got around to. This record is great, a mixture of bittersweet ballads and kickass rockers. “Two Daughters and A Beautiful Wife” is one of my favorite songs of the year so far.

The Mountain Goats – The Sunset Tree – Just listen to “This Year” and you’ll understand.

Les Savy Fav – The Year Before The Year 2000 (mp3)

Drive By Truckers – Two Daughters and a Beautiful Wife (mp3)

The Mountain Goats – This Year (mp3)