I hate “The O.C.” I make no attempt to claim otherwise, and at the urgings of several friends of mine have repeatedly tried to give the show second chances. I just absolutely detest every aspect of that program, and would quite frankly rather watch “Days Of Our Lives,” because at least that show makes no effort to hide that it’s a soap opera.
But what I hate most about “The O.C.” is the effect it has on music. I love that it provided an outlet for good bands to gain some exposure, pick up some popularity, finally make some real money. But I hate that as soon as a band appeared on “The O.C.,” everyone loved them, even if they didn’t know anything about them. I went to go see Death Cab For Cutie open for the Psychedelic Furs. The place was packed for Death Cab, but because all the little O.C. kids didn’t know a damn thing about the band they were there to see, it was an utterly unpleasant experience. In fact, several people assumed that Death Cab would be headlining the show, and when they went on before the actual headliner (the Furs), I heard people asking why the band was opening with a Death Cab cover. I heard other people asking when Death Cab was going to go on, because that band sucks.
“That band” was Death Cab, and they were opening the show with “The New Year,” the first song from their “Transatlanticism” album, which was the album featured on “The O.C.”
I’m not saying people should memorize all the details of a band’s repertoire before seeing that band live. But if all you’re going on is the music that was featured on a TV show, at least buy the album and have a vague idea of what (if no one else) the singer looks like before you go to the show.
The other thing I hate, beyond tons of bands being endowed with ignorant, obnoxious fans, is the conception by people like me–who hate “The O.C.”–is that a band, once featured on the program, is somehow ruined. The Shins, Rooney, Ben Gibbard projects, Frou Frou/Imogen Heap, I still listen to them. Even Phantom Planet, who had the fucking theme song, find themselves in frequent rotation on my iTunes. The music they make was made before they were on the show, and you’re allowed to like bands who have been on a TV show you hate, and you’re allowed to hate bands who have been on a TV show you like.
This is more or less an incoherent rant written on a 7:1 waking to sleeping ratio, and I suppose the bottom line is, I’m really glad “The O.C.” is no more, and I’m really, phenomenally impressed with the new Phantom Planet record. I know I took my sweet time getting here. But that’s really all I wanted to say.