The year is 1969. Film noir and the gangster genre have been over done. Filmmakers have raped and pillaged this goldmine of story and suspense. Even the French New Wave imitates this, new light or not.
Jean-Pierre Melville (“Le Samourai,” “Bob le Flambeur,” and the inspiration for the French New Wave) created a wonderful masterpiece that fucking tears a whole through the four walls of storytelling: “L’Armee des Ombres.” I can’t go into detail of the plot, just know it is a must see. It can be found here.
Melville has no political goal while he shows the real French Resistance, WWII. Due to the almost gangster approach taken to spotlight the resistance, there was much controversy over Melville’s agenda. This is not an issue and he was not anti-resistance. The man participated in the resistance, how could he be against it? “L’Armee des Ombres” is a very personal story that took Melville many years to create, yet a large portion of the French public shunned it for belief of a political agenda countering their own. The same shit hit the fan when American filmmaker Sam Fuller created his war films. The man was an infantry soldier and people tried tearing his films apart for being communist and anti-war (as well as liberal bashing for pro-war). Film does not always take a political stance. In the case of Melville and Fuller, these guys just wanted to tell the truth of what really happened.
Yes, this shows the French Resistance. Melville participated in the resistance fighting to free his country. But this film is not an attempt to glorify or justify the battle that these Frenchmen undertook. Melville shows the truth: sometimes the good guy does some dirty deeds. The resistance parallels the life of organized crime in “L’Armee des Ombres.” The line between the corrupt and justified (which Melville often muddied) has disappeared, completely vanished. Never have freedom fighters looked so cool.